Filtering by Category: "audio distortion"

Disquiet review of "Too Late Distracted"

Added on by Cole Pierce.

SKITTERY SOUNDSCAPE MP3

Cole Pierce refers to his track “Too Late Distracted” as a “textured electronic soundscape exploring a structure in flux,” and he goes a step further by employing the word “skittery” to qualify the effort.

The work in question is reportedly derived from a collaboration withTyler Carter, who like Pierce houses his music at the great community site soundcloud.com. Pierce is at soundcloud.com/colepierce, Carter at soundcloud.com/tyler-carter, and the two of them apparently can make beautiful jittery ambience (or skittery soundscapes) together.

Too late distracted by colepierce

Like many solid efforts in abstraction, the piece includes its own decoder ring. While it eventually expands into a spacious if serrated sound field, it opens with the sort of all-rough-edges effect that Pierce’s chosen adjective, “skittery,” suggests. The introduction’s distinction from the majority of the track is plainly evident in the waveform that appears in the SoundCloud player (see above); it’s the short, bottle-brush tail that wags the music’s dog.

That initial segment is all stop’n’start glitch noise, and it sets down the textural equivalent of a downbeat before Pierce ventures into more quasi-ethereal realms. While the work does achieve a certain level of cloudy haze, it’s still marked throughout by the stuttered, broken-glass vibe of its opening salvo.

Original track at soundcloud.com/colepierce. More on Pierce atcolepierce.com. He was previously featured on this site in mid-October of last year (disquiet.com).

By Marc Weidenbaum

Original Post

Fishing, 2010

Added on by Cole Pierce.


Fishing, 2010
Video - Cole Pierce
Audio - Kendrick Shackleford and Cole Pierce


Fishing was created from footage captured with an underwater video camera attached to fishing line and controlled by a fishing pole in the middle of Lake Hayward, WI. Governed by chance, the video drifts back and forth between chaos and order. The murky green monochrome and shifting pattern of bubbles is a sublime landscape that occasionally gets interrupted by the reality of a school of fish swimming by. The soundtrack is equally alienating, which is an ambient glitch filled soundscape of processed guitar, ethereal textures and a flux of structures created by Cole Pierce with help from Kendrick Shackleford and Tyler Carter.

Audio

Added on by Cole Pierce.
Too late distracted by colepierce

textured soundscape, structure in flux, based on a collaboration with Tyler Carter. 2010
Guitar by Kendrick Shackleford, electronic manipulation by Cole Pierce. 2010

Manipulated music box samples, NYE field recording. 2010


I am currently editing a video installation, comprised of footage of an underwater video camera tied to the end of a fishing pole. These tracks will be part of the soundtrack.

Genre Study: Glitch Ambient

Added on by Cole Pierce.

 
Bin 3, Part 1 (17 min)

Ijspret 1              2:26 Machinefabriek
Faithful Friend 4:02 The Humble Bee
On Waiting        8:44 Greg Haines & Wouter van Veldhoven
Variation 2        5:09 Molly Berg + Stephen Vitiello

Download

This is what I refer to as crafty ambient music, because it is obvious that instrumental craftmanship is emphasized just as much as production techniques. Aligned more with glitch, this ambient music does not rely on spacial harmonics and extremely long tones but focuses on specific textures; balancing field recordings, post production noodling and instrumental works into a carefully composed harmony. 

Work in Progress: Experiments in Audio Degeneration

Added on by Cole Pierce.



Work in Progress, experimenting with analog distortion, this track is comprised of samples of stages of audio degeneration. I'm using a loop of bells and kids toys that I made with Forrester, recorded to cassette and stripped off portions of the magnetic tape with typewriter liftoff tape. This was digitized, looped and dubbed back onto the damaged cassette, then I distorted the tape further by wrinkling it with my fingers. This was again digitized and I layered the audio into 3 tracks, applying effects using Ableton.