ASCII 3
ASCII 3
A single-evening exposition and offering of audio multiples
Thursday, April 5
8:30 pm – 10:30 pm
Back room of The California Clipper
1002 N. California Ave.
Free
Participating:
Jon Bollo, Stephanie Burke, EC Brown, Chris Hefner, Andrea Jablonski, George Larson, Bruce Neal, Catie Olson, Cole Pierce, Christopher Smith, Ralph Syverson, Brian Wadford.
ASCII (Archeospiritist Study and Consortion Initiative, Illinois) is an event where participants are entrusted to uphold the following 3 core specifications:
1. An edition of artifacts shall be created, to be distributed freely.
2. Editions must involve recorded audio.
3. Attire shall always be elegant.
In addition, participants are entreated to observe a prompt (in lieu of an articulated curatorial theme) from Caroline Picard, which is a writing inspired by Marion Laval-Jeantet’s “May the Horse Live in Me” (http://www.archeospiritist.com/docs/carolinePicard__ascii3-Prompt.pdf) as well as her video selection (http://youtu.be/yx_E4DUWXbE).
Furthermore, recommended specifications are made available to the participants, as well as participant-sourced specification extensions. Information at http://www.archeospiritist.com.
Event guests are not subject to specifications nor sanctions, but elegant apparel is always enjoyed by all.
About ASCII:
ASCII is a specification platform designed to elevate our personal, mundane rituals of audio data trafficking to a dedicated craft and an etiquette.
Photos from ASCII 1: http://www.archeospiritist.com/archives/1.php
Photos from ASCII 2: http://www.archeospiritist.com/archives/2.php
NUMBERS.FM Playlist 02.29.12
Piano Clockworks 18:17 Cole Pierce
Rise 12:00 *AR
Halfslaap 16:58 Machinefabriek
peeling tape 2:00 Cole Pierce
High & Low 3:51 Ezekiel Honig
The Other Side of Backwater 5:12 Ryan York
Goddess Eyes 3:25 Julia Holter
Part One 16:58 B. Fleischmann
Foggy Dew 6:10 Two Banks of Four
Reblazhenstva 7:40 Ricardo Villalobos & Max Loderbauer
Bicycles, Football, Volley And Other Sports In A Public Park, With Birds All Around 6:56Andrea Ferraris & Matteo Uggeri
Ice and Halo 7:44 Cinchel
FAA Boner :09
recorder glitch 0:52
Modern Painters Review February 2012
LAKE ODESSA
Listening Station at Born Digital, CAM Raleigh
Review in Modern Painters
Cole Pierce at Hinge Gallery
NUMBERS.FM
NUMBERS.FM Playlist 01.11.12
Ode Monty Adkins
SOPA hearings
Echo (featuring Adam Trainer vocals) Matt Rösner
Tropical Depression aric naue
AlexHaley interlude - Tyler Carter and Cole Pierce
Oh You Beautiful Girl! - Bud (Home Recording)
Auctioneering - Unknown Artist
armenian song Anja lechner and vassilis tsabropoulos (gurdjieff/ de Hartmann)
My Melancholy Baby - Gene Austin
Solitude Duke Ellington
Processione Sul Mare Toni Esposito
Archipelago Daedelus & Teebs
It's Soon Be Done Otis Wright
Bike Spokes edit Cole Pierce
a1 pangkur Master Musicians of Java
Chapter 02 Scissors And Sellotape
Baseball Analogy TheSolarSystemandBeyond Cole Pierce
Scissors Kuedo
Take My Hand Soosh
Departure from Your Hat Vocal Mix triple jim
A Devil Lay Here Zomby
Welcome to Rainbow Springs Skipper Lockett
1. Chameleon Blush Girl After Shower
Ethan’s Earth and Pluto explanation
Continuity M. Ostermeier
jewel thief Cole Pierce
Fragile Hope Balam Acab
BLISSTERS HOLY OTHER
All I need Clams Casino
Buried Alive (Kendrick Lamar) Drake
Illusory Body Geotic
Blue Marlin Steve Hauschildt
Morning Criminal Ricardo Donoso
Underground Party Janko Nilovic
Lava BNJMN
Dawn Of Presensitive Car Litesalive
Columns Father
Rain recording Cole Pierce
Prelude for Juan Christina Vantzou
Born Digital | CAM Raleigh
Born Digital on view January 28 through April 30, 2012
Showcasing a growing body of contemporary art that is visitor dependent and without the use of specific interfaces like keyboards or touch screens—aspects of this exhibition are movement-driven, empowering visitors to exercise their creativity and act on their curiosity. Born Digital features the work of 12 national and international pioneers of digital and new media art. Most of the featured artworks in the exhibition employ computer vision technologies, more commonly known as interactive video. The combined use of digital video cameras and custom computer software allows each artwork to “see,” and respond to, bodies, colors and/or motion in the space of the museum. Don’t miss this museum premiere!
Born Digital contributors include: Advanced Media Lab, Jacob Ciocci, R. Luke DuBois, Channel TWo, Brent Green, Ajay Kurian, LoVid, Cole Pierce, Dennis Rosenfeld, Daniel Rozin, Scenocosme, and Karolina Sobecka
Join us for an opening preview celebration
Sweets, savories, and drinks
Friday, January 27, 2012
Members Opening 7–9 p.m.
RSVP at members@camraleigh.org
Wear your rocket-high heels or fastest track shoes
Live DJ — Born Digital Exhibiting artist Cole Pierce
NUMBERS.FM Playlist 12.14.11
4 String Quartet No. 15 in E-Flat Minor Op. 144 (1974) IV- Nocturne (Adagio) Dmitri Shostakovich
Orson Welles - War of the Worlds
Rob Ellis - Music For the Home #8
Shousetsu - Radicalfashion
Das Buch der Klange (Part 1) - Hans Otte
Goats to Clear Brush - Cole Pierce
A quiet Morning arriving to the Valley - Opitope
interbellum - Elegi
Smyrneiko Minore - Marika Papagika
Harmonium Improvisation - George I. Gurdjieff
Proper Punctuation - Cole Pierce
Super Interlude Pt. 1 - Christina Vantzou
stop look listen : 68 : august 27, 2011 : dechans - Amy Martin
Igloo - Karen O & the Kids
Nue - Nils Frahm
Hike - Cinchel, T.Carter & Cole Pierce
Valla Torg Kraut - Mokira
Can’t - Northerner
Map - Mountains
Cardboard Cups - Piotr Kurek
Ijspret - Machinefabriek
Faithful Friend - The Humble Bee
On Waiting - Greg Haines & Wouter van Veldhoven
Variation 2 - Molly Berg + Stephen Vitiello
Field - Autistici
Untitled Found Cassette, Audio Diary - Cole Pierce
Chimaerica - Johann Johannsson
Powoli - Jacaszek
Budeie Med Sigd - Svarte Greiner
IV. A final shaking - de Waart, Edo
Section III - Chris Schlarb
Nixon Interlude - T.Carter
You Can Have What I Take - Klumpes Ahmad
Ammunition 3 - Seaworthy
The Red River - Micah Blue Smaldone
Think - Do Make Say Think
Number 33 - Jan & Lorraine
NUMBERS.FM Playlist 12.6.11
NUMBERS.FM
Jewel Thief, Mix CD, 2011
Jewel Thief, Mix CD, 2011
Video screening at d1sc0nN3ct in Cairo
Sixty Inches From the Center Review
The works that greet you as you walk through the door of Hinge are two paintings by Pierce, titled “Triangle is the Strongest Shape #10” and “Triangle is the Strongest Shape #11”. The paintings are dizzying patterns made of triangles, as geometric grids that deviate in some sections. This gestures to the rigid grid interrupted by the hand-made process of art-making.
Pierce and Shackleford have known each other for a time, having been a part of an artists’ collective in years past. Although stylistically their artworks seem on opposite ends of the spectrum, the works juxtaposed made for an engaging exhibit.
When I spoke to Pierce about these works, he told me that his intention was to keep the triangle patterns as straight and as perfect as possible but as he created these works, it become about idiosyncrasies in the shape – letting imperfections happen. The paintings started as black and white paintings, but Pierce added a new perspective with color as the series went on. The paintings displayed at Hinge have gradients of color, with the patterned triangles fading from light cream to white in one painting and blue to darkest blue in the other.
Shackleford’s pieces in the exhibit are prints that utilize the relationship of gesture and found images, with the series titled Sweet Bones and Clean Secrets. Shackleford told me his process included dumpster diving for inspiration, using found objects to emote a nostalgic vibe. Tiny photographs of nature landscapes were painted, drawn, and marked upon, then blown up to become plexi-glassed prints.
Shackelford spoke of his processes and intention as concerning directed ambiguity- pushing an image into flat space and speaking to the relationship of what framing is about. The result was on full display in the works at Hinge, with pieces of nature prints paired with broken glass, cinderblocks, and neon paints. The consistency of color influences comes from within the prints, as Shackleford emphasized the importance of the presentation by painting the walls so as to create a full installation.
I was lucky enough to have to opportunity to speak to both artists during the opening, and them being friends made the discussion all the more enjoyable. They each were very different in their approach to art and speaking about their art, but the variance between the artworks held balance within the Hinge Gallery.
- Amanda Mead